Debussy works his magic by slowly and persistently beguiling the listener with mesmerizing, understated harmonies — like an immense, inescapable gravitational pull — until the full weight of sadness is felt to nearly overwhelming effect at the conclusion of the opera. The stage action takes place on a grand scale, with a rotating set, designed by Chantal Thomas, that permits seamless transitions between the various scenes within the five acts. The crushing gloom that saturates his music is difficult to depict on stage while keeping the singers physically visible for the audience. In this production, rather than attempting to depict the naturalistic locales specified by the composer and librettist e.
Theater an der Wien. Not easily and I have yet to see a staging which does full justice to the work, though a few do come close. Thus, it is not unsurprising that Laurent Pelly seems a bit at loss with this opera that thrives on understating rather than the opposite.
Departing from realism, he has created a rotating stage containing a mix of columns, rocks and the occasional chamber, in effort to create an alluring, ambiguous environment.
But she cannot hide that her upper register is in ruins and whatever her qualities, understatement and allure are not her strong points. And then there are the ones on CD such as Frederica von Stade, just to mention one. Best is Laurent Naouri Native French-speakers in major parts.
Best are Laurent Naouri real life husband of Natalie Dessay in excellent voice with an sufficient underlying menacing air of both menace but also desperation to him that one feels with him and the unfortunate choices that he makes.
Hopefully this will be released on DVD at some point. Nous sommes venus ici il y a bien longtemps:Dec 23, · Stéphane Degout as Pelléas in "Pelléas et Mélisande" by Claude Debussy, Theater an der Wien Mélisande: Nathalie Dessay.
Pelleas et melisande natalie dessay youtube. essay sacraments alexander schmemann bonbonniere au crochet avec explication essay lucid dream research paper perri klass essays about love essay on quaid e azam day references in history essays on ireland.
Come into the light we cannot see how happy we are.- Pelléas, Acte III, Scène 4 Like Tristan and Isolde, Debussy’s Pelléas and Mélisande seek to pursue their impossible love in an intangible temporality where prosody is as limpid as music.
Natalie Dessay and Laurent Pelly disappoints in Pelleas and Melisande Pélleas and Mélisande. DVD, Theater an der Wien. No wonder Laurent Pelly is Nathalie Dessay´s favourite opera director, as they share a lot of qualities: She is a straight-forward, face-paced singing-actress and the role of Mélisande lies relatively well for her.
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